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> Index of every page on this site: [llms.txt](https://glasscastle.org/llms.txt)

![THE DELUSION, Danielle Brathwaite-Shirley:Gallery installation: a veiled figure in a red and yellow patterned gown with a glowing screen for a head, spotlit in a dark blue room hung with framed black-and-white drawings.](https://glass-castle.imgix.net/THE-DELUSION-Danielle-Brathwaite-Shirley-2025.-Commissioned-and-produced-by-Serpentine-Arts-Technologies.-©-Danielle-Brathwaite-Shirley-photography_-Hugo-Glendinning-2.jpg?w=2560&h=1706)

*THE DELUSION, 2025, Danielle Brathwaite-Shirley, Serpentine Arts Technologies. Photo credit: Hugo Glendinning.*

![Christelle Oyiri: In a dark gallery, pale figurative sculptures stand on top of loudspeaker cabinets, lit in blue and green.](https://glass-castle.imgix.net/TM_Tanks_Christelle-Oyiri_2025_031-2_2026-10-09-123202_tlry.jpeg?w=2560&h=1920)

*In a perpetual remix where is my own song?, 2025, Christelle Oyiri, Tate. Photo credit: Jai Monaghan.*

![Garland, at Bold Tendencies: A conductor gestures to an orchestra, seen through the raised lid of a grand piano.](https://glass-castle.imgix.net/Oliver-Leith-Garland-at-Bold-Tendencies-2025.-Courtesy-Bold-Tendencies-L-©-Dan-John-Lloyd-124.jpg?w=2560&h=1706)

*Garland, 2025, Oliver Leith, Bold Tendencies. Photo credit: Dan John Lloyd.*

#

In a world of increasing fragmentation, we need extraordinary, experimental art more than ever. 

Art that confronts realities.   
That challenges systems.    
That provokes and nourishes.   
That excites, that grieves, that inspires and bites back.

Glass Castle creates the conditions for extraordinary artists from across disciplines to experiment and thrive - and for their work to be shared with and felt by the largest possible audience.

[Learn more](https://glasscastle.org/about)

## In the spotlight

[![A figurative sculpture in silhouette stands on a speaker plinth before a vast black-and-white projection of a glossy car and road markings.](https://glass-castle.imgix.net/Christelle-Oyiri/TM_Tanks_Christelle-Oyiri_2025_042.jpeg?w=1280)*In a perpetual remix where is my own song?, 2025, Christelle Oyiri, Tate. Photo credit: Jai Monaghan.*<h3>Christelle Oyiri: In a perpetual remix where is my own song?</h3>Through sculpture, video and sound, Oyiri traces the effects of digital culture on how we construct identity. The inaugural Infinities Commission made for the Tanks at TATE.View](https://www.tate.org.uk/whats-on/tate-modern/infinities-commission-christelle-oyiri/oyiri-exhibition-guide)

- [![Black-and-white portrait of Gazelle Twin with a lace veil draped over head and face, looking straight at the camera.](https://glass-castle.imgix.net/Gazelle-Twin/Gazelle-Twin-by-Teri-Varhol-2.jpg?w=1280)

  *Ragebait, 2026, Gazelle Twin, Somerset House Studios. Photo credit: Teri Varhol.*<h3>Gazelle Twin: Ragebait</h3>

  Composer and performer Gazelle Twin explores whether our dependence on technology is entering an age of reckoning. In Ragebait, robotics and voice synergise in rebellion to create through destruction, questioning whether technology is something we should deny and disavow, or just the shadow of our true nature. View](https://www.somersethouse.org.uk/whats-on/3-evenings-somerset-house-studios)
- [![An installation view showing large, rock-like forms constructed from cardboard and timber, with speakers arranged toward the end of the room. The space is illuminated in warm orange light](https://glass-castle.imgix.net/Nora-Chipaumire/Installation-photograph-of-Infinities-Commission-2026-nora-chipaumire-gadzi-©-Tate-Photography-Lucy-Green.jpg?w=1280)

  *Gadzi, 2026, nora chipaumire, Tate. Photo credit: Lucy Green.*<h3>Nora Chipaumire: Gadzi</h3>

  In this new work for the Tanks at TATE as part of the Infinities Commission, nora chipaumire draws on the legends, stones and soil of her native country, Zimbabwe.View](https://www.tate.org.uk/whats-on/tate-modern/nora-chipaumire-gadzi)
- [![Two digitally rendered figures in hi-vis workwear, safety harnesses and helmets, with painted grinning masks, before a glowing neon sign.](https://glass-castle.imgix.net/Team-Rolfes/1-Mustang-Team-Rolfes.jpg?w=1280)

  *Mustang Screenshot, 2026, Team Rolfes, Somerset House Studios. Photo credit: Courtesy of Artist.*<h3>Team Rolfes: The Mustang Speedrun - Pit Call</h3>

  Making their UK debut, New York-based Team Rolfes bring their new, chaotic, prototype club-theatre performance to 3 Evenings. Part game show, part emergency, the group and their musical collaborator GFOTY will need collective input to make it through in one piece.View](https://www.somersethouse.org.uk/whats-on/3-evenings-somerset-house-studios)
- [![Barefoot dancers in black fringed leather jackets crouch in wide stances under a low concrete ceiling.](https://glass-castle.imgix.net/Oona-Doherty/103-HR-Oona-Doherty-Leather-Jacket-World-Premiere-2026.-Commissioned-by-Bold-Tendencies.jpg?w=1280)

  *Leather Jacket (World Premiere), 2026, Oona Doherty, Bold Tendencies. Photo credit: Dan John Lloyd.*<h3>Oona Doherty: Leather Jacket</h3>

  An intimate group performance where the dancers and audience share in their communal exhaustion, empathy, euphoria and joy.View](https://boldtendencies.com/programme/?mc_cid=c4fe478536)
- [![A ring of tumbling white cubes printed with 3ETV letters on a blurred olive-green background.](https://glass-castle.imgix.net/3ETV/3ETV-HOOP-LOOP.jpg?w=1280)

  *3ETV, 2026, International Magic. Photo credit: Courtesy of Somerset House Studios.*<h3>3ETV</h3>

  A multi-channel TV station exploring performance and technology online, part of 3 Evenings: Experiments in Performance and Technology. In partnership with HEK (House of Electronic Arts, Basel), M+ (Hong Kong), Onassis ONX (Athens/New York) & Pioneer Works (New York), 3ETV is a decentralised curated broadcast exploring how performance and technology have evolved in an always on world.View](https://3etv.net/)
- [![An orchestra and conductor perform beneath a low concrete ceiling to a packed, seated audience.](https://glass-castle.imgix.net/Oliver-Leith-Garland/37-LR-Oliver-Leith-Garland-at-Bold-Tendencies-2025.-Courtesy-Bold-Tendencies-©-Damian-Griffiths-.jpg.jpg?w=1280)

  *Garland, 2025, Oliver Leith, Bold Tendencies. Photo credit: Dan John Lloyd.*<h3>Oliver Leith: Garland</h3>

  A processional work for solo soprano, vocal consort, mixed choir, and large ensemble.View](https://boldtendencies.com/programme/?mc_cid=c4fe478536)
- [![Dim green gallery room with a veiled, screen-headed figure in a red patterned gown, framed drawings on the walls, and a wooden booth beside a flame-like cutout.](https://glass-castle.imgix.net/Danielle-Brathwaite-Shirley/THE-DELUSION-Danielle-Brathwaite-Shirley-2025.-Commissioned-and-produced-by-Serpentine-Arts-Technologies.jpg?w=1280)

  *THE DELUSION, 2025, Danielle Brathwaite-Shirley, Serpentine Arts Technologies. Photo credit: Hugo Glendinning.*<h3>Danielle Brathwaite-Shirley: The Delusion</h3>

  A video game commission and multiplayer immersive experience from Danielle Brathwaite-Shirley that explores themes of polarisation, censorship and social connection.View](https://www.serpentinegalleries.org/whats-on/danielle-brathwaite-shirley-the-delusion/)
- [![Abstract, symmetrical digital render of glossy dark curves and arrow-like shapes on bright turquoise.](https://glass-castle.imgix.net/Future-Art-Ecosystems/Future-Art-Ecosystems.jpg?w=1280)

  *Future Art Ecosystems, 2026, Serpentine Arts Technologies. Photo credit: Courtesy of Serpentine Galleries. *<h3>Future Arts Ecosystems R&D Fellowship</h3>

  The Future Art Ecosystems Research and Development (FAE R&D) Fellowship is a six month, low-residency programme designed to support practitioners working across art and advanced technologies, offering time for research, and collaboration. The inaugural Fellows for 2026–27 are Alice Bucknell, Reina Mun, Alfredo Salazar-Caro and Auriea Harvey.View](https://www.serpentinegalleries.org/whats-on/future-art-ecosystems-rd-fellowship-art-x-convergence/)

![Interior image: A figure walks through a lit doorway at the end of a dim brick hall lined with old teal pumping machinery.](https://glass-castle.imgix.net/LDF26-ArtofSoundPrivateView-CreditIonaWolff-120.jpg?w=2560&h=1706)

*Feeling Is Structure, 2026, Max Cooper, London Design Festival. Photo credit: Iona Wolff.*

![White outlined Wordmark logo reading "Wapping Powerhouse".](https://glass-castle.imgix.net/Wapping-Powerhouse-Logo/wp-wordmark-1.svg?w=2560&h=190)

Bringing Wapping Hydraulic Power Station back as a home for experimental arts and culture, and a creative space for the neighbourhood.

[Discover more](https://wappingpowerhouse.org/)

##

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## Sitemap

See the full [sitemap](https://glasscastle.org/sitemap.md) for all pages.
